Total Time: 70:36
Olympic Studios, London, 20. Sept – 10. October 1968
1. Babe, I’m gonna leave you 7:01
2. Babe, I’m gonna leave you 6:16
3. You shook me 7:56
4.
Baby, come on Home 8:53
Olympic Studios,
London, 1968 ?
5. Guitar, Organ Instrumental 15:53
6.
Guitar, Organ Instrumental 21:37
Morgan Studios,
London, June 1969
7. Sugar Mama 8:58
Total Time: 70:19
Olympic Studios, London, November 1969
1.
Jennings Farm Blues 24:53
Electric Ladyland Studios, New
York, June 1972
2.
No Quater 25:08
Headley Grange Studios, Hamshire,
May – June 1970
3. That’s the way 5:37
4. Feel so Bad, Fixing to die, Thats Alright 7:06
5. Since I’ve been loving You 7:34
Total Time: 68:45
Headley Grange Studios, Hamshire, May – June 1970
1.
Since I’ve been loving You (Vocal take) 3:06
Mirro Sound Studios, Los Angeles,
May 1969
2. Moby Dick 1:41
3.
Drum Set 7:01
Bron-Y-Aur Coffage, Wales,
May 1970
4.
I wanna be her Man, Guitar Intrstrumentals inc.
Down by the seaside, Stairway to heaven 1:44
5. Instrumental Take, Blues Guitar Instrumentals 54:41
6. Blues Guitar Instrumentals 0:28
VOLUME 4: (Total Time
51:10)
Page's Home Studio, Headley Grange,
Hampshire, England
Dec. 1970 - Jan. 1971
01. Guitar From Page (42:57)
- take one - one guitar, sort of like the "Ten Years Gone" intro (0:00 - 1:25)
- take two - nice, calm guitar (1:25 - 2:02)
- take three - slow version of take two (2:02 - 4:09)
- take four - lots of acoustic diddling, distantly related to "The Rain Song" (4:24 - 6:23)
- take five - another attempt at take four (6:23 - 7:51)
- take six - JP plays piano... sounds like "The Rain Song" guitar part too! (7:51 - 10:54)
- take seven - solo guitar, includes "Ten Years Gone" riff (11:15 - 14:30)
- take eight - guitar something like "The Rain Song" (14:45 - 15:37)
- take nine - similar to take eight, even more like "The Rain Song" (15:37 - 17:11)
- take ten - weird slow acoustic slides like "The Rain Song" (17:11 - 18:18)
- take eleven - similar to ten (18:18 - 19:58)
- take twelve - sounds very familiar, but I can't place it! Help! (19:58 - 21:23)
- take thirteen - heavier acoustic guitar (21:23 - 23:45)
- take fourteen - solo acoustic "Bolero" jam... very cool! (23:45 - 24:42)
- take fifteen - one pretty guitar (24:56 - 29:20)
- take sixteen - early rock sound with a familiar bluesy rhythm (29:51 - 31:23)
- take seventeen - thick rhythm with a quick solo (31:23 - 33:28)
- take eighteen - same as take sixteen (33:40 - 35:09)
- take nineteen - 50s rock rhythm (35:09 - 35:57)
- take eighteen repeated
- take twenty - two slithery guitars, starts to head towards "The Rain Song" (36:16 - 37:47)
- take twenty-one - one guitar strumming (37:47 - 39:25)
- take twenty-two - carnivalesque piano interlude... played by Page? (39:25 - 39:49)
- take twenty-three - JP sings! plays guitar! rocks! (39:49 - 42:22)
- take twenty-four - acoustic take of the fast part of "Hots On For Nowhere" (42:22 - 42:53)
Olympic Studios,
London, June 5, 1970
02. Poor Tom (3:16)
Rolling Stones Mobile Studio;
Stargroves, UK; May
1972
03. Walter’s Walk (4:36)
Unknown Studio
04. acoustic Guitar Instrumentals (0:08)
VOLUME 5: (Total Time
49:19)
Bron-Y-Aur Cottage;
Wales,
UK; May; 1970
1. Friends (3:28)
Headley Grange Studios;
Hampshire, UK;
May-June 1970
2. Immigrant Song (2:40) -
early rehearsal
3. Out On The Tiles (3:32) - early rehearsal
4. Bron-Y-Aur (1:37) - with congas and a baby crying
5. Poor Tom (3:20) - two takes
6. Hey Hey What Can I Do (1:46) – rehearsal
Bron-Y-Aur Cottage;
Wales, UK; May 1970
7. Guitar Instrumental (2:15) -
fun and complete
8. Guitar Instrumental #2 (2:05) - quiet, with a distant voice
9. Poor Tom (3:33) - Page and Plant demo
10. Guitar Piece (2:05) - complete acoustic guitar duet... could have been another "Bron-Y-Ar"
11. Acoustic Duo (1:27) - Plant hums along to Page's guitar
12. That's The Way (rehearsals) (9:07)
- take one - one guitar and Plant... angrier and faster (0:00 - 2:46)
- take two - similar, with more guitar experimentation (2:50 - 4:22)
- take three - guitar intro (4:25 - 4:49)
- take four - guitar from the chorus with Stryder barking! (5:00 - 5:35)
- take five - almost completed song with finished lyrics (5:40 - 9:07)
13. Friends (instrumental #2) (1:22) - with bongos, guitar, and Plant scat-singing
14. Bron-Y-Aur / Guitar Fun (8:28)
- take one - "Bron-Y-Aur" theme with some different directions (0:00 - 2:20)
- take two - fancier instrumental, similar to "Bron-Y-Aur" (2:20 - 3:24)
- take three - very cool, long guitar piece (3:25 - 8:28)
15. Guitar Fun (1:59) -
two more takes from previous track
VOLUME 6: (Total Time
50:59)
Headley Grange Studios;
Hampshire,
UK; December 1970 -
January 1971
1. Black Dog (6:56) - All
four members hard at work on figuring out their parts
2. No Quarter (4:05)- crazy fast early instrumental with Plant scat-singing and some great drums
3. Stairway To Heaven (instrumental takes) (7:01) - Jones on piano and Page on guitar work the song out together
4. Guitar Riff (1:01) - where's this from???
5. Stairway To Heaven (vocal take one) (6:08)
6. Stairway To Heaven (vocal take two) (8:17)
7. The Battle of Evermore (5:45) -
Plant is rehearsing and figuring
out his vocals over the master recording
Jimmy Page’s Home Studio;
UK;
January 1972?
8. Guitar Instrumental (The Rain Song) (4:18) -
Parts may have been reused on
"Death Wish 2"... at 3:20 sounds like "The Rover".
Unknown Session
Ten Years Gone (early demos) (7:05)
- take one - acoustic approximation of "Ten Years Gone" (0:00 - 1:58)
- take two - acoustic take of "Ten Years Gone" (1:58 - 2:27)
- take three - similar to take two (2:27 - 3:02)
- take four - rhythm and lead stuff from "Ten Years Gone" (3:02 - 3:25)
- take five - further perfecting of "Ten Years Gone" leads (3:25 - 4:16)
- take six - a different lead lick (4:16 - 4:42)
- take seven - more lead guitar practice (4:42 - 5:09)
- take eight - more of the same (5:09 - 5:37)
- take nine - slow lead over the "Ten Years Gone" rhythm (5:37 - 6:02)
- take ten - sounds like three guitars (6:02 - 6:36)
- take eleven - closest take to the album version (6:36 - 7:05)
VOLUME 7: (Total Time
48:46)
with the Bombay Orchestra,
Bombay,
India; April 1972
1. Friends (Bombay rehearsals) (31:39)
- conversation and noodling around (0:00 - 4:19)
- take one - slow take with violin, sitar, acoustic guitar, tabla (4:19 - 9:10)
- more discussions and whistling and stuff (9:10 - 16:00)
- take two - another rehearsal take, ends early (19:32 - 20:17)
- more instructions and lots of practising (20:17 - 26:10)
- take three - another take with cool tabla (26:10 - 31:39)
2. Four Sticks (take one) (4:48) - lots of tabla and a little flute, bare instrumental
3. Friends (take five) (4:49) - a complete, mixed take of the Bombay experiments... with Plant
4. Friends (take eleven) (4:38) - another mixed take from Bombay... with Plant
5. Four Sticks (take two) (2:16) -another take with more flute
VOLUME 8: (Total Time
62:09)
Old Refectory,
Southampton University;
January 20, 1973
1. Love Me / Frankfurt Special (5:49) -
soundcheck fragments
soundcheck
Chicago Auditorium;
Chicago; July 6, 1973
2. Sugar Baby (5:04)
3. The Wanton Song (rehearsal) (2:37)
4. The Rover (takes 1 & 2) (8:19)
5. Night Flight (rehearsals) (11:01)
6. School Days (3:08)
7. Nadine (1:00)
8. Round and Round (3:23)
9. Move On Down The Line (2:51)
10. Please Don't Tease (2:41) - Often mislabelled as "Love Me Like A Hurricane", this is the correct title. 1
1. Move It / Dynamite (3:01
12. Shakin' All Over (2:48)
13. Hungry For Love (2:25)
14. I'll Never Get Over You (2:10)
15. Reelin' and Rockin' (1:43)
16. Surrender / Rock and Roll (3:38)
VOLUME 9: (Total Time
66:53)
Headley Grange Studios;
Hampshire,
UK; November 1973- May 1974
1. The Wanton Song (rehearsals) / Take Me Home (take one) (5:32)
2. Take Me Home (take two) (4:43) - bad-ass rhythm section
3. In The Morning (take one) (6:10)
4. Trampled Under Foot (rehearsals) (18:57)
- take one - too fast, messy version, different lyrics (0:00 - 2:18)
- take two - close to take one, falls apart (2:18 - 2:59)
- discussion and noodling (2:59 - 3:59)
- take three - funkier version with strange guitar licks (3:59 - 6:36)
- take four - bare take led by the guitar, not the clavinet (6:50 - 10:48)
- take five - similar to take four, Plant is distant (10:56 - 13:10)
- more messing around... cool bassline! (13:10 - 15:22)
- take six - closer to the album, not perfect... (15:22 - 18:57)
5. In The Morning (take two) (6:01)
6. Sick Again (rehearsal) (3:47)
7. The Rover (acoustic) (1:18)
8. Wacky Rhythm Jam (3:14)
9. In My Time Of Dying (rehearsals) (12:57)
take one - fast, sloppy, and funky take with little momentum (0:18 - 0:45)
discussion (0:45 - 1:22)
take two - sharper main riff, trouble with the bridge (1:22 - 2:14)
take three - long take close to final version... very cool! (2:29 - 10:33)
more discussion (10:33 - 10:54)
take four - Bonham drums a marching beat (10:54 - 11:15)
more chatter and some bass noodling (11:15 - 12:23)
take five - like take four (12:23 - 12:50)
WLIR 92.7 Radio
Broadcast; Westbury, NY;
Spring 1975
10. The Wanton Song (3:55)
VOLUME 10: (Total Time
66:47)
Polar Studio’s
Stockholm; Sweden;
November - December 1978
1. Carouselambra (take one) (11:06) -
instrumental
2. Wearing and Tearing (outtake) (5:57) - pretty much identical to "CODA" version
3. Fool in the Rain (outtake one) (6:14) - Latin section not yet conceived
4. Hot Dog (outtake) (3:29) - final recording without Page's guitar solo
5. In The Evening (outtake) (6:36) - similar to the final version, more bass heavy
6. South Bound Saurez (outtake) (4:18) - final recording without Page's guitar solo
7. Darlene (outtake) (5:18) - longer jam at the end than on "CODA", but close to the same length! Where's the editing?
8. Fool in the Rain (outtake two) (6:19) - much of the same recording as on "In through the out door"
9. Carouselambra (take two) (8:45)
10. All My Love (alternate mix) (7:55) - longer, unedited, alternate mix
VOLUME 11: (Total Time
68:21)
Concert Rehearsals
Victoria
Theatre; London, UK;
May 1980
1. White Summer (live take one) (2:23)
2. White Summer / Black Mountain Side (live take two) (6:17)
3. Kashmir (live) (8:32)
4. Achilles Last Stand (live) (10:12)
5. Stairway To Heaven (live) (10:09)
Clearwater
Castle; Forest Of Dean, Wales;
May 1978
6. Fire (Say You Gonna Leave Me) (4:43) -
kick ass studio outtake
7. Carouselambra (early rehearsals) (12:34)
- take one - first section, main riff, vocals, different lyrics (0:00 - 2:53)
- discussions (2:53 - 3:24)
- take two - more practice of the song (3:24 - 7:25)
- discussion and some synthesizer noodling (7:25 - 8:34)
- take three - still working on the song (8:34 - 12:14)
Boleskine House; Loch
Ness,
Scotland, UK; November
1975
8. Lucifer Rising (outtakes) (5:12)
- take one - Page's erratic violin bow/guitar effect --- reused on "Death Wish 2" (0:00 - 1:00)
- take two - smoother violin bow over spooky rhythm (1:00 - 3:08)
- take three - Indian sounding violin bow fun (3:10 - 5:08)
Malibu, CA;
October - November 1975
9. Royal Orleans (instrumental) (0:18)
10. Tea For One (Hootchie Cootchie) (2:44)
11. Don't Start Me Talkin' / All My Lovin' (4:55)